Tin Tin

Retrato

Tele as Pure and Clear Communication

Cerro de La Cruz Antigua Guatemala

Portrait of Painting With Self

Quitarse El Alma

:

.

Amigos Con Derechos

Silen

Wasally

Ya No

Na Pa Na Vos Ciu

Self Portrait In Studio

Return Ritual

Piconcito, Envuelta, y Medir

Posted Up

Esperando

Tengo ganas

Pero no puedo

Tengo deseos

Pero aquí me quedo

Esperando.

Great Americans

For what it is worth

Here is my

Patriotism.

Godliness and Strangers

If I knew exactly what I was doing

I would not want

If I knew you like a love

Would I still want

If you knew me through

Would you still want me.

The Miracle At Cana - God's Masterpiece 2

Visitations From The Luster

Not as important

To the impulse

Is the reality

As the vision.

Royal

Xela - So Many People

The Miracle At Cana - God's Masterpiece

Forgotten Home

Independence

Fun

Harvard is crumbling

Kitchen Table Collaging in Cambridge Mass.

Neurotique 1

Progressive Archaeology at The Ivy Corset Building

Over the past week I installed a mural in the Ivy Corset Building in Worcester Massachusetts. This project was done with generous support from Steve Rothschild of Applied Interactive, with lighting design by Access Fixtures. The Ivy Corset Building is a current project of Mr. Rothschild, renovating the historic factory space to provide a creative and communal atmosphere for progressive minded companies like Skyscope Creative, Snap Grow, Earl Gray Entertainment, K12 Kit, and Applied Interactive, some of the current businesses in the building.

The inspiration and process behind this piece coincides with my recent body of work dealing with concepts surrounding the post-industrial atmosphere of the city of Worcester. I tried to examine the layering that occurs through the history of the building and reflect it in the aesthetics of the piece. The original composition of the piece used the basic structure of a post-apocalyptic seascape, with a radiant, nuclear-orange sky and dark blue ocean. Off of this central theme I worked the piece into the depth of character that the room and building itself have from the years of activity. I call the piece ‘Progressive Archaeology,’ because through Steve’s vision of the project and my own response as an artist, I think we've created something new and interesting while preserving and examining a piece of Worcester’s history. 

Painting Installation At The Ronda Garcia Estate

Applied Interactive Mural Day 7.2